Posters: a Global History by
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere--but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster's roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
A History of Modern Indonesia since c. 1200 by
This standard work on the history of Indonesia has been thoroughly revised to incorporate the findings of recent research, and four new chapters have been added to bring the story up to date. This edition is the first to be illustrated, with the addition of 22 drawings and photographs.
The World in a Grain by
Except for water and air, sand is the natural resource that we consume more than any other - more than oil, more than natural gas. Every concrete building and paved road on Earth, every computer screen and silicon chip, exists because of sand. From Egypt's pyramids to the Hubble telescope, from the world's tallest skyscraper to the sidewalk below it, from Chartres' stained-glass windows to Chihuly sculptures to your iPhone, sand shelters us, empowers us, engages us, and inspires us. And we're running out of it.
Krakatoa by
Simon Winchester, New York Times bestselling author of The Professor and the Madman, examines the legendary annihilation in 1883 of the volcano-island of Krakatoa, which was followed by an immense tsunami that killed nearly forty thousand people. The effects of the immense waves were felt as far away as France. Barometers in Bogotá and Washington, D.C., went haywire. Bodies were washed up in Zanzibar. The sound of the island's destruction was heard in Australia and India and on islands thousands of miles away. Most significant of all -- in view of today's new political climate -- the eruption helped to trigger in Java a wave of murderous anti-Western militancy among fundamentalist Muslims, one of the first outbreaks of Islamic-inspired killings anywhere. Krakatoa gives us an entirely new perspective on this fascinating and iconic event.
Nathaniel's Nutmeg by
A true tale of high adventure in the South Seas. The tiny island of Run is an insignificant speck in the Indonesian archipelago. Just two miles long and half a mile wide, it is remote, tranquil, and, these days, largely ignored. Yet 370 years ago, Run's harvest of nutmeg (a pound of which yielded a 3,200 percent profit by the time it arrived in England) turned it into the most lucrative of the Spice Islands, precipitating a battle between the all-powerful Dutch East India Company and the British Crown. The outcome of the fighting was one of the most spectacular deals in history: Britain ceded Run to Holland but in return was given Manhattan. This led not only to the birth of New York but also to the beginning of the British Empire. Such a deal was due to the persistence of one man. Nathaniel Courthope and his small band of adventurers were sent to Run in October 1616, and for four years held off the massive Dutch navy. Nathaniel's Nutmeg centers on the remarkable showdown between Courthope and the Dutch Governor General Jan Coen, and the brutal fate of the mariners racing to Run-and the other corners of the globe-to reap the huge profits of the spice trade. Written with the flair of a historical sea novel but based on rigorous research, Nathaniel's Nutmeg is a brilliant adventure story by a writer who has been hailed as the "new Bruce Chatwin" (Mail on Sunday).
Asia in Amsterdam: the culture of luxury in the Golden Age by
A fascinating survey of the rich artistic and cultural impact of Asia on the Netherlands in the 17th century This lavishly illustrated catalogue discusses the Asian luxury goods that were imported into the Netherlands during the 17th century and demonstrates the overwhelming impact these works of art had on Dutch life and art during the Golden Age. Written by a team of 30 international scholars, this volume presents seven essays and catalogue entries on 150 works of art, including Dutch and Asian paintings, textiles, ceramics, lacquer, furniture, silver, diamonds, and jewelry. From the Dutch settlements throughout Asia--including Indonesia, India, Sri Lanka, Malaysia, China, and Japan--Dutch maritime traders brought an astonishing range of luxuries back to the Netherlands. Dutch consumers were enthralled with these foreign goods, which brought new colors, patterns, and textures to their interiors and wardrobes. As seen in the book's many illustrations, Dutch artists also found inspiration in these objects and incorporated them into portraits, genre scenes, and particularly still-life paintings. Dutch artists and craftspeople also adapted distinctly Asian technologies, such as porcelain and lacquer, to create new works of art inspired by Asia. This catalogue weaves together the complex stories of these diverse works of art and presents fascinating portraits of the dynamic cities of Amsterdam and Batavia (Jakarta)--the Dutch trade center in Asia during the 17th century. ]]>
Paper Politics: Socially Engaged Printmaking Today by
A stunning presentation of print art which showcases the themes of social injustice and global inequality as an inspiration for this deeply politicised medium. Political communication has a long history with printmaking - here, Josh MacPhee selects poignant artworks with the intent to engage readers in a political conversation. The collection features artwork by over 200 international artists in an eclectic collection of work by both activist and non-activist printmakers. However, there work is linked by a thread of reacting to monumental trends and events
Thinking Print: Books to Billboards 1980-95 by
From Barbara Kruger's screenprinted feminist billboards to Felix Gonzalez-Torres's stacks of posters featuring head shots of people killed by guns; from Elizabeth Murray's colorful abstract lithographs to Anselm Kiefer's woodcuts embedded in Germany history; from Lucian Freud's moody figure study etchings to Donald Judd's rigid, monochromatic, serially geometric woodcuts--Thinking Printis a broad, ambitious, and varied survey of printed art from the last two decades . Exploring the role of prints, deluxe illustrated books, inexpensive artist's books, and editioned multiples in contemporary art, this exceptionally comprehensive volume covers 235 works by some 147 artists, and includes essays on techniques, formats, and themes, as well as biographic notes on all of the artists and publishers. Originally published on the occasion of a 1996 exhibition at The Museum of Modern Art, New York.
How Posters Work by
How Posters Work is more than a standard exhibition catalogue. Conceived as a useful and illuminating primer in visual thinking, it explores principles of design through a range of historical and contemporary works, uncovering ideas relevant not just to the design of posters but to 2D design more generally. How Posters Work has a unique focus on visual language. Rather than provide a history of the genre or a compilation of collectibles, the book is organized around active design principles. Concepts such as "Simplify," "Focus the eye," "Exploit the diagonal," "Reverse expectations," and "Say two things at once" are illustrated with a diverse range of posters, from avant-garde classics and rarely seen international works to contemporary pieces by today's leading graphic designers. Illustrated with over 150 works from the collection of Cooper Hewitt, Smithsonian Design Museum, How Posters Work provides a stunning education in seeing and making, demonstrating how some of the world's most creative designers have mobilized principles of layout, composition, psychology, and rhetoric to produce powerful acts of visual communication
Papered Wall 2e by
The definitive international history of wallpaper from its origins to today's digital and laser printing, now brought completely up to date. Wallpaper is high fashion, and literally so in the wallcovering lines launched by Gucci in 2003 and Benetton in 2004. Innovation has been fueled by technology (with developments such as multicolored dry rub-off transfers); by environmental concerns (with nonwovens, or vlies, that breathe and create no harmful residues); and by a profusion of retro, luxury, naturalistic, humorous, and artistic ideas. First published in 1994, The Papered Wall has been revised to include a new and fully illustrated chapter on recent trends and a thorough reworking of its invaluable reference section, including suppliers of historic patterns and collections open to the public. Written by experts from Belgium, Britain, France, Germany, and the United States, this authoritative volume begins with the individually printed sheets that formed the first wallpapers in the fifteenth century. It encompasses English flocked papers with repeats as large as seven feet, spectacular French panoramas encircling an entire room, and exquisitely printed bowers of roses. By 1900 technical inventiveness and designers like William Morris had put new kinds of wall coverings and a vast choice of patterns before a worldwide market. The twentieth century saw a struggle between traditional ideas and radically "modern" styles--Jugendstil, Art Deco, Bauhaus, and postwar contemporary designs. Complete with a guide to care and conservation, this is a timely, informative, and stimulating record of wallpapers for every use and taste.
Grammar of Ornament
British Textiles: 1700 to the Present by
This superb book draws on highlights from the V+A's fabulous collections of woven, printed and embroidered textiles and their designs. Based on the British Textiles series, and with a new introduction by Linda Parry, this comprehensive compendium updates the texts of six authoritative titles to provide a comprehensive visual history of more than 300 years of British fabrics and features more than 1000 images. They show the amazing creative abilities of professional and amateur designers over three centuries. International experts introduce each period and its textiles, discussing technical and artistic innovations. Also included are short biographies of the chief figures, firms and manufacturers of each era, an invaluable glossary of terms and a detailed further reading section.
Toile de Jouy by
In the seventeenth century, printed and painted cottons from India first appeared in France. In reaction to the enormous commercial success of these bright Indian cottons, a French embargo was placed on the importation of foreign textiles. In 1759 this ban was finally lifted, and in 1760 the Manufacture Royale de Jouy was founded in Jouy-en-Josas, near Paris, to produce printed cotton fabrics on French soil that could compete with the popular imported ones.At first the factory produced polychrome cottons with floral or plant motifs that were intended for clothing. Subsequently, the "monochromes" appeared; adorned with rural, historical, mythological, narrative, and oriental themes, they were used mainly for home furnishings. Within a few years, the factory was the biggest of its kind in Europe, and its printed textiles had become widely used in France and abroad. In all, some 30,000 designs were created at Jouy-en-Josas through the years, many of them the work of renowned eighteenth-century artists such as Fragonard and Boucher.The authors, both curators at the Musée de la Toile de Jouy, have drawn upon the museum's rich collections to produce the first-ever complete history of these textiles. The illustrations include original designs that are conserved in the museum, exceptional historical examples of toile de Jouy clothing and furniture, documents relating to manufacture and to the founding of the company, and examples of contemporary uses of the textiles.Toile de Jouy has become increasingly popular among designers and decorators, who incorporate its classic patterns in upholstery, wallpaper, bed linens, tablecloths, napkins, and stationery. For anyone interested in the history of textiles and design, or looking for fresh ideas for interior decor, this book will be an essential reference.
The Everyday Practice of Public Art by
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
The World Atlas of Street Art and Graffiti by
An authoritative guide to the most significant artists, schools, and styles of street art and graffiti around the world Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the "cholo" graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is the definitive survey of international street art, focusing on the world's most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this beautifully illustrated volume features specially commissioned "city artworks" that provide an intimate understanding of these metropolitan landscapes. Organized geographically by country and city, more than 100 of today's most important street artists--including Espo in New York, Shepard Fairey in Los Angeles, Os Gêmeos in Brazil, and Anthony Lister in Australia--are profiled alongside key examples of their work. The evolution of street art and graffiti within each region is also chronicled, providing essential historical context. With contributions by the foremost authorities on street art and graffiti, this landmark publication provides a nuanced understanding of a widespread contemporary art practice. The World Atlas of Street Art and Graffiti emphasizes urban art's powerful commitment to a spontaneous creativity that is inherently connected to the architecture of the metropolis.
A Companion to Public Art by
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains "artist's philosophy" essays, which address larger questions about an artist's body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Vitamin D2 by
An indispensable survey of the most dynamic contemporary drawing, chosen by leading art world professionals - now in paperback More than 250,000 copies of books in the acclaimed 'Vitamin' series have been bought by art lovers across the world. In 2005, Vitamin D inaugurated a vibrant period for drawing, followed by Vitamin D2, which showcased 115 outstanding artists pushing the medium's boundaries. With nominations from over 70 international critics and curators and an introduction by drawing expert Christian Rattemeyer, Vitamin D2 provides a broad overview of drawing while also looking towards its future. Artists include: Charles Avery, Pablo Bronstein, Paul Chan, Ewan Gibbs, Cameron Jamie, Aleksandra Mir, Amalia Pica, Imran Qureshi, Adrián Villar Rojas Nominators include: Lynne Cooke, Thelma Golden, Christine Macel, Jessica Morgan, Bob Nickas, Hans Ulrich Obrist, Scott Rothkopf, Beatrix Ruf, Barry Schwabsky, Nancy Spector Introduction by: Christian Rattemeyer, Associate Curator of Drawings at the Museum of Modern Art in New York
Pushing Paper by
This remarkable exploration of drawing as a medium in resurgence unites a global range of contemporary artists. Subverting its former role as a primarily preparatory medium, drawing is enjoying a resurgence among contemporary artists and students. Pushing paper examines why drawing has not only endured, but continues to thrive as an artistic expression. 56 works, produced between the 1970s and the present day, are used to explore the vital and fundamental nature of drawing. Themes such as place and space, and power and protest, offer new lenses through which to view these major artists. Supported by the Bridget Riley Art Foundation, this book explores the work of the world's most important contemporary artists, including Louise Bourgeois, Judy Chicago, Richard Deacon, Tracey Emin, David Hockney, Anish Kapoor, Anselm Kiefer, Cornelia Parker, Sol LeWitt, Grayson Perry, Bridget Riley, Imran Qureshi, and Rachel Whiteread, as well as exciting works by new and emerging artists, such as Hamid Sulaiman and Rachel Duckhouse. Sure to appeal to admirers of drawing, and to artists and students alike, Pushing paper provides an arresting analysis of the status of drawing in the world of contemporary art.
Textile Designs: 200 Years of European and American Patterns ..... by 
20th Century Pattern Design: Textile & Wallpaper Pioneers by
The first book to examine pattern as an essential part of twentieth-century design history is now available in paperback. Organized by decade, 20th-Century Pattern Design details the technical innovations that affected the development of modern textiles and wallpapers. Vibrant patterns bold, colorful, muted, delicate, intricate, splashy, spare, figurative, abstract, dizzying, calming abound in this comprehensive reference. Featuring stunning color plates and lively text, this book takes readers on a tour of twentieth-century patterns from around the world. Focusing on surface patterns in the home, author Lesley Jackson draws frequent parallels to the worlds of fashion, packaging, and graphics and explores the relationship between painting and pattern design. 20th-Century Pattern Design is an invaluable resource for modern design enthusiasts and historians, collectors, and interior and graphic designers.
The Print in the Western World by
The Print in the Western World is a comprehensive history of the print from its origins in the fifteenth through the late twentieth century. A source of inspiration to many great painters, such as Titian, Rembrandt, and Manet, printmaking has established its own criteria of aesthetic excellence as well as its own expressive language, both of which are explored here. Scholars and print collectors will find in this well-written and generously illustrated book a valuable reference, students a lucid survey, and art lovers an informative introduction to the history of the print in Europe and America. More than 700 illustrations, forty-nine of them in color, show the evolution of the relief, intaglio, planographic, and stencil processes through the centuries. Giving detailed treatment to the work of five master printmakers--Albrecht Dürer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns--the book also discusses in depth numerous other artists, such as Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honoré Daumier, Edouard Manet, Paul Gauguin, Edvard Munch, Käthe Kollwitz, Max Ernst, and Andy Warhol. Although its primary focus is the fine-art original print, The Print in the Western World also addresses in detail the reproductive tradition in printmaking that reached its peak in the eighteenth century and touches on book illustrations, posters, political satires, and vernacular prints such as chromolithographs. Author Linda C. Hults emphasizes the meaning and historical context of prints, the consequences of the print's accessibility to many strata of society, and the relationship among artist, context, subject matter, and technique. The volume includes a glossary of basic printmaking terms, as well as full bibliographies at the end of each chapter, giving readers access to a wide range of recent scholarship on prints.
History of Illustration by
"The authoritative book on the origins, history, and influence of illustration. Bravo!" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators.